“He just worked with the tools he had until it looked great, and it was essentially an insert shoot when it was photographed. As a side note, for people who are fans of Rob Bottin, you can check out a Facebook page set up by a fan named Devon who noticed the artist and his work were missing from social media. “. And then Paul, I never heard him say, ‘No, we have to not take this many takes.’ He just wanted to keep it on schedule, and we did. We love to learn everything we can about our favorite movies and the people who made them. According to many sources, he is only 61-years-old; he just celebrated a birthday on April 1. “One great thing about Rob’s work was that it didn’t need post fixing,” Brevig told FXGuide back in 2015. And Mr. Bottin if you are reading this, we hope you are well and considering coming back to the silver screen with more ideas for a new generation of filmmakers and horror fans. Finally working on his own, his first big break was The Howling, where he was called to create an on-screen transformation from man to werewolf. They are indelible in the archives of horror movie history. His last project according to IMDb was on Game of Thrones in 2014. But even though he is austere, his monsters are forever burned into celluloid so even if he never shows his face in public again, that’s where you can always find him. In fact, the record of his artistry in film is so long and revered you should check out his IMDb profile, there are too many to list here. Or as Picardo says, he was an award-winning “special effects/makeup guy back when there really was a … El maquillador Rob Bottin va concebre per a l'ocasió un nou tipus de maquillatge, a base de silicona, que permet una expressió millor facial dels actors. In the 1800s, Captain William Blake was a wealthy ship captain. "The most fun … Mutia Escarpment. American Special Effects Makeup Artist - Click for more info For that, I’d like to say ‘Thank you’; hopefully, with your help perhaps we can get him to share a little bit more of his life with us. Rob Bottin, Los Angeles, CA. The work remains convincing today, still riling new viewers with its visions of distorted bodies repurposed by a shapeshifting alien. Mutia Escarpment. Below are some scenes in which Rob contributed, some are trailers, some are NSFW and many contain spoilers: FX Master Rob Bottin, Where in the World is He? Rob Bottin, Los Angeles, CA. 10,002 likes. Captain Blake is the primary main antagonist Of the 1980 horror film The Fog and its 2005 remake. I met with and have admired the work of Rob Bottin. Born April 1, 1959 Bottin grew up engrossed with old horror movies and magazines. Rob Bottin and his creation for “The Thing” As the story goes, due to his penchant for perfectionism and detail, Bottin would sadly suffer from exhaustion and other health issues after The Thing wrapped which is a testament to his dedication to the craft. Carpenter feared effects in his film looking hokey and laughable, like an old sci-fi movie, and Bottin’s work easily alleviated his anxiety. In order to get set to play George and Kuato, Bell needed to have extensive lifecasts of his head and body made by acclaimed special effect make-up creator Rob Bottin (The Thing, RoboCop, Se7en). Winston had been contacted by Bottin earlier in production to ask if he would be ready if needed. He wasn’t always this isolated. But you really needed a Rob Bottin to have the technical ability to make it look that real, you know, to make it believable, to have all that stuff work. Stan Winston created the dog-thing because Rob Bottin had such a work overload on the creature effects -- Thomas Perry The Thing c'est lui qui a convaincu Carpenter de filmer la créature et les SFX de Rob Bottin en pleine lumière. Rob Bottin est un Maquilleur, Consultant, Responsable effets spéciaux. Le maquilleur Rob Bottin conçut pour l'occasion un nouveau type de maquillage, à base de silicone, permettant une meilleure expression faciale des … Rob Bottin was born on April 1, 1959 in El Monte, California, USA as Robin R. Bottin. Bottin didn’t work … Rob Bottin was born on April 1, 1959 in El Monte, California, USA as Robin R. Bottin. Découvrez sa biographie, le détail de ses 20 ans de carrière et toute son actualité The smorgasbord of gooey accoutrements that compliments Bottin’s strange creations, helped bring the nebulous monster to life. Not true. At age 14, he submitted a series of illustrations to well-known special make-up effects artist Rick Baker, who promptly hired him. The hirsute genius is still young. An exclusive clip from the film shows the painstaking detail that went into Rob Bottin's creation for the 1982 horror classic. Notably, Bottin's effect in The Howlingappeared five months befor… Never did I think it would grow to be this big. Anybody know if he is working on anything these days? From Wings to Parasite, here's a look back at all of the Best Picture Oscar winners in the history of the ceremony. Bo-teen) as much as they should. This was never so evident as in his work for John Carpenter’s The Thing. The real Rob Bottin (as far a I know) is a recluse who doesn't hang out on the internet and doesn't like being interviewed. Beginning with a bodycast of actor Peter Weller, the RoboSuit was sculpted from oil clay. American Special Effects Makeup Artist - Click for more info ob’s fans, and myself (also a huge fan) an outlet or a place to share and revel in his work,” writes Devon. Rob Bottin was born on April 1, 1959 in El Monte, California, USA as Robin R. Bottin. You will not see or hear much from him - hell, most people don't even know where he is or what he is doing with his life. You know nowadays they shoot a film in maybe a month or so, but this was six months doing this movie.” In 1973, Rob Bottin did what any 14-year-old boy with dreams of monster-making would’ve done – he wrote a letter to his idol, special effects (SFX) artist Rick Baker, lauding him as a master of the craft and modestly requesting an autograph. Young Bottin also included his own sketches of schematics for horror special effects, just to show his passion for the craft. The real Rob Bottin (as far a I know) is a recluse who doesn't hang out on the internet and doesn't like being interviewed. It might be safe to assume that in the case of master versus apprentice, the master earned his keep. Rob Bottin: A Wizard in the World of Special Effects : Movies: The makeup effects artist creates more high-tech illusion in the futuristic action-thriller ‘Total Recall.’ jguthrie wrote:Bottin is, in fact, out of the business and is in the real estate business in California... Um, wow. Bottin was widely celebrated for his SFX work, with The Howling winning the 1981 Saturn Award for Best Horror Film and Bottin receiving a nomination for his work. Rob Bottin, de son vrai nom Robin Bottin, est un maquilleur américain de cinéma né le 1er avril 1959 à El Monte. Most spectacular perhaps is the moment when electrodes are applied to a recent corpse in the attempt to stimulate a heartbeat. Always humble Bottin said in an interview for Fangoria back in 1982 that he’s really not the one responsible for creating the scares, instead he gives that honor to the writers and directors. Having revisited The Howling to coincide with its 40th anniversary, I’m still impressed with the way Rob Bottin — then-21 years old makeup effects maestro, who happens to be the legendary Rick Baker’s protege — handling the werewolf transformation sequences. Where is he now though? Ever since the beginning this page was only ever meant to be a fan page. Rob Bottin and his creation for “The Thing” As the story goes, due to his penchant for perfectionism and detail, Bottin would sadly suffer from exhaustion and other health issues after The Thing wrapped which is a testament to his dedication to the craft. Nice work Rob Bottin. He is known for his work on RoboCop (1987), Total Recall (1990) and Se7en (1995). Those effects were overseen by Rob Bottin, in his early 20s at the time, and they would require so much work from the young FX wizard that he eventually landed in the hospital with exhaustion at the close of filming. I know I would like that, but until that day – just a heads up, I am not the Rob Bottin. Producer Jon Davison estimates that around $1 million of the $13 million budget was spent on the creation of the seven suits used in the film. On the lazer disc there is a special audio track of Rob Bottin talking about his work on Se7en.. A great deal of the Total Recall’s success can also be attributed to Rob Bottin, who earned a Special Achievement Academy Award for his efforts on the film. So we didn’t have a lot of hands-on participation in terms of what he was doing, except that we both collaborated where we would take it.”. Between then, he contributed some visual effects to Friday the 13th Part III, in which he made a slightly different head sculpt of Jason in an unused ending. “I did this because I noticed there where all these pages for all the people: artists, creators, directors, etc – that had worked with him; but, not a single one for Rob. He worked with Baker on various films. Other artists who came out of the golden age of practical effects, Rick Baker, Tom Savini, and the late Stan Winston are canonized in the world of movie makeup, but Bottin never seems to get the attention he deserves anymore. Some say Bottin is a recluse who doesn’t care much for social media or granting interviews. That’s because his high-profile projects back in the early 80s were of interest to genre journalists and industry peers who lived in awe of his special kind of talent, one that pushed envelopes by giving moviegoers something on-screen they had never seen before. However, it was his ground-breaking work with Rob Bottin on his update of the science fiction horror classic The Thing that year that brought him to prominence in Hollywood. Member. Rob Bottin, Los Angeles, CA. Over 30 years later, John Carpenter’s The Thing still stands up not only as a masterpiece of paranoia but also as the height of practical makeup and prosthetic effects. Or as he put it, “I had to go to Bottin’s torture chamber and have them sink me into all kinds various goods all day. American Special Effects Makeup Artist - Click for more info These are only a few but they represent a cross section of his talent that, if you were lucky enough to see first-hand, gave you nightmares. Just as Leonardo Da Vinci was mythologized for his Mona Lisa, Bottin’s skill on The Thing remains an industry masterwork, something legendary. Check out our editors' picks for the movies and shows we're excited about this month, like Mortal Kombat, "Them," and Stowaway. “. You will not see or hear much from him - hell, most people don't even know where he is or what he is doing with his life. That could’ve been due to the fact that make-up extraordinaire Rick Baker left the project early to work on the werewolf effects on London, leaving his protege Rob Bottin to take over. And More of Horror’s Most Persistent Mysteries Nat Brehmer August 17, 2016 No Comments 2,616 views 0 likes. He was portrayed by Rade Serbedzija. Mayo, Strawberry jam, foam latex and KY jelly being just a few of the ingredients that made the monster palpably sickening. Movies and television shows are finding talented FX alchemists who use an alloy forged from latex and CGI. Years later, Kuipers, now bitter over the whole thing, tried to portray Bottin as a villain who swooped in and stole the film from him. He also worked on supervised vision work on The Entity. Here is a video on the work of Rob Bottin. The countless hours of work (57 straight weeks) produced such a horrifying monster that The Thing terrifies audiences to this day. For that, I’d like to say ‘Thank you’; hopefully, with your help perhaps we can get him to share a little bit more of his life with us. -- M. Patrice Steibel The special make-up effects hold up to this day. Known for his collaborations with directors John Carpenter and Paul Verhoeven, Bottin worked with Carpenter on both The Fog and The Thing and with Verhoeven on RoboCop, Total Recall and Basic Instinct. However, it was Bakers assistant, Special effects creator Rob Bottin and his work on The Thing, who created effects so palpably gut-wrenching that they make audiences shudder to this day.The 23-year-old artist endured painstaking hours; working 7 days a week for 56 weeks. For those who don’t know, Bottin is also the man responsible for the effects in classics such as The Fog (1980), Maniac (1980), Robocop, Se7en–the list goes on. Horror fans know a lot about horror. He and his crew were sailing at night in a thick fog in search of a place to establish a colony. And he deserves a lot. 53. Bottin did awesome work on every film he worked on, especially The Thing. See full bio » Figuring out how to create living fantasies from storyboard to screen meant solving a multitude of problems back in the day, it was a task that only a few in the business could do, Bottin being one of them. Today’s special make-up effects artists seemingly have to compromise between what they can feel in their hands and what computer software can fill in for them. Bottin did not want to work from Kuipers’ designs without Kuipers being there to supervise. Stop-motion animation is another form of creature effect that isn’t used much today, but produced fantastic effects for its time. “The story is scary, and then the monster is just the period at the end of the sentence,” he said. Bottin didn’t have Movie Maker back then, because he was one. What Happened to Rob Bottin? More than you’d think possible. Does he believe in digital assistance? (Remember, the film first screened on June 11th!) In another interview, Eric Brevig, Total Recall‘s visual effects supervisor who worked with Bottin on that film, says he rarely needed correction, it was one and done. https://www.mentalfloss.com/article/68365/13-fascinating-facts-about-thing He was portrayed by Rob Bottin and voiced by Charles Nicklin. He is one of the most talented creators to emerge from that era when scares relied more on manipulating tangible materials rather than source code; when people said “the money is on the screen,” they were talking about the practical effects and not the star’s salary. 10,000 likes. "Rob Bottin's work in The Thing was amazing, but it came at huge cost to us," said director John Carpenter, referencing the famously expensive undertaking. Not everyone talks about Rob Bottin (pron. jguthrie wrote:Bottin is, in fact, out of the business and is in the real estate business in California... Um, wow. You would think with such a large catalog of work he would be more in the public eye. 9,992 likes. His creations included use of everything under the sun. Overwhelmed by the workload, Bottin eventually did summon Winston to help with the Dog-Thing. “In other words, if The Thing is scary, it’s not the monsters that are scary, it’s the way John (Carpenter) builds suspense.”, Rob Bottin and his creation for “The Thing”. I know I would like that, but until that day – just a heads up, I am not the Rob Bottin. Post May 23, 2005 #2 2005-05-23T00:39. Rick Baker did go on to win the first ever Oscar for Best Make-up for London. “There was a rather intricate effect which was needed, that Rob felt he didn’t have the time to do,” Winston said. The work remains convincing today, still riling new viewers with its visions of distorted bodies repurposed by a shapeshifting alien. Rob Bottin with an early model used for The Thing. Today I will be talking about the SFX Artist Rob Bottin and his work on John Carpenter's movie, 'The Thing' (1982). I made this page back in 2010 because I wanted to give you, R … Bottin's work specifically on The Thing: https://www.youtube.com/watch?v=-jOpG--0EbEBottin as a kid, by his own account was a bit of an outsider. “I did this because I noticed there where all these pages for all the people: artists, creators, directors, etc – that had worked with him; but, not a single one for Rob. The RoboSuit was designed by Rob Bottin, with additional work (including the under-helmet mechanics) by Miles Teves. For Bottin, work on The Thing began in April 1981 and would span the next 57 weeks into late May 1982. Bottin did awesome work on every film he worked on, especially The Thing. So in honor of the man who made some of the scariest and most realistic prosthetics in horror film history, we are going to showcase some of his most notable works below. As the story goes, due to his penchant for perfectionism and detail, Bottin would sadly suffer from exhaustion and other health issues after The Thing wrapped which is a testament to his dedication to the craft. “I made this page back in 2010 because I wanted to give you, Rob’s fans, and myself (also a huge fan) an outlet or a place to share and revel in his work,” writes Devon. Rob, pushing himself against an ever diminishing schedule, slept at the Universal lot and lived off of candy bars and cola. Also, the score is damn creepy. Ever since the beginning this page was only ever meant to be a fan page. Rob Bottin, a young make-up artist who had also worked with John Carpenter on the film ‘The Fog,’ performed miracles with his large team of technicians, in creating the various effects. Rob Bottin Wiki: Salary, Married, Wedding, Spouse, Family Robin R. Bottin (born April 1, 1959) is an American special make-up effects creator. Across the pond, John Landis and Baker set out to break their own ground on An American Werewolf in London. Rob Bottin and The Thing . 53. Never did I think it would grow to be this big. He is known for his work on, Listen to Horror BFFs Heather Wixson and Patrick Bromley Celebrate 40 Years of Joe Dante’s The Howling on a New Episode of Corpse Club, ‘Zombacter: Center City Contagion’ Review, Nomadland wins big at Ofcs Awards by Jennie Kermode - 2021-01-26 16:02:08, Top 50 Highest-Grossing 1980s Horror Films, Unleashing the Beast: Making 'The Howling', Creating a Myth... the Memories of 'Legend', Making a Monster Movie: Inside 'The Howling'. Rob Bottin is an SFX makeup artist from El Monte, California. It's been a while since I've seen much credited to him. From an early age Bottin enjoyed a steady stream of old horror films, as well as magazines like Famous Monsters of Filmland. This was never so evident as in his work for John Carpenter ’ s Thing! 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