gus van sant's last days

Doyle: It was actually the best day of the whole shoot. Derek Jarman’s The Last of England is an amazing barrage of memories, obsessions, cataclysmic visions, where Derek plays a gay memoirist writing his thoughts down. I know red is one of the worst, one of the most difficult colors to film, to image. Filmmaker: How do you translate these ideas to your film choices? It might be total shit, it might be masochistic, or it might be kind of therapeutic in a way. Norman imagined his mother would be as jealous of a woman to whom he might be attracted just as he was of his mother's lover, and so Mother kills any woman for whom Norman has feelings. I just want to get in there with you. Engagement is the essence of art. I think Camerimage is very much about that. That’s why we are talking tonight. I went to Rome, I was terrified. [15], Even Van Sant later admitted that it was an experiment that proved that no one can really copy a film exactly the same way as the original. What more do you want in life? Hitchcock's practice of making cameo appearances, Learn how and when to remove this template message, "The Mama's Boy, His Motel Guest And That Shower", "QT6 - Harry survives his 6th Quentin Tarantino Horror Marathon - this one - 80's Horror!!! [6] Audiences polled by CinemaScore gave the film an average grade of "C-" on an A+ to F scale. So it’s a positive experience in some ways. Filmmaker: So being with people making films reinforces your faith in yourself? However, he yearned for more complex, less mainstream roles, and he made his point in 1991 through Gus Van Sant’s My Own Private Idaho, playing … Beautiful and challenging and energizing images. Van Sant's comments from the commentary track attribute many of the updates to the need to make the film more accessible to a new audience. Richmond concludes that the Mother personality has now taken complete control of Norman's mind, erasing his existence. All the films before we were actually just looking. Take Australian aboriginal painting, where the colors form a narrative. [3], To reflect inflation, the amount of money stolen was adjusted from $40,000 in the original film (equivalent to $220,382 in 1998) to $400,000 in this version. "[8] At the 1998 Stinkers Bad Movie Awards, the film was cited as one of 37 dishonourable mentions for Worst Picture. It’s also for the kids. I have great respect for whoever organized this. "Elephant" by Gus Van Sant is an excellent movie about modern youth. Some people find recompense in cooking. Every two days. But I knew I needed to do this with this great friend, with this great trust that we had. It’s only in this process of give and take, this uplifting and cathartic process of filmmaking, that you say, okay, maybe I’m not the piece of shit that I thought I was. And I needed to see myself again. And mistakes are what people call style. Click here to read our Spring 2021 issue, featuring małni — towards the ocean, towards the shore's Sky Hopinka, location shooting during COVID and more... by Daniel Eagan in Cinematographers, Interviews Extensive testing and social distancing were among the steps taken during the production. Do you know what moviemaking means? That was the happiest day of the shoot. En effet, Gus Van Sant lui demanda quel film l'avait le plus marqué dans sa vie, Harmony Korine évoqua Elephant, un téléfilm de 40 minutes du cinéaste britannique Alan Clarke, diffusé en 1989 sur la BBC. At the beginning of the conversation he held up a can of beer. But they really care. But most of us are scared of being alone. [4], On Rotten Tomatoes the film holds an approval rating of 38% based on 78 reviews, with an average rating of 5.29/10. I think every real filmmaker is a fragile person looking for affirmation of how they feel and what they do and why they’re doing it. She overhears Norman arguing with his mother about letting Marion in the house; and, during the meal, she angers him by suggesting he institutionalize his mother. It’s only if you make the mistakes that you will perhaps become a filmmaker. Psycho is a 1998 American horror film produced and directed by Gus Van Sant for Universal Pictures and starring Vince Vaughn, Julianne Moore, Viggo Mortensen, William H. Macy and Anne Heche in leading and supporting roles. Doyle: No, being with people making films reminds me maybe there’s something in me that I didn’t know myself. See the trailer for Gus Van Sant’s ‘Last Days’ Uncut has sneak peek at controversial new movie, loosely based on the final hours of Kurt Cobain. Filmmaker: The episode with the dancers, it seemed like you were shooting them without any restrictions. An unidentified female figure, presumed to be Norman's mother, enters the bathroom and stabs Marion to death. Doyle: [Vittorio] Storaro, he’s lit most of the main buildings, he’s like, “Come on and have a look at this building.” The only people on the street were trying to sell drugs or scam you for something. Filmmaker: How do you explain creativity? After the first hour of shooting, nobody said anything about Don’t Look Now or In the Mood for Love because we were making a film. Psycho is a 1998 American horror film produced and directed by Gus Van Sant for Universal Pictures and starring Vince Vaughn, Julianne Moore, Viggo Mortensen, William H. Macy and Anne Heche in leading and supporting roles. She rejects the idea and orders him out of her room, but Norman carries her to the cellar against her will. The costume designer, Beatrix Aruna Pasztor, originally thought that the film was going to be a period piece, so she bought period clothing for the cast. The episode is supposed to be about people choosing clothes, but the clothes will all look red. Young kids who see the world differently than we do, especially women. Filmmaker: What was it like shooting under Covid-19 protocols? On the label it says, “This beer is tropical, juicy and smooth.” Just like me. [citation needed] Rick Baker designed the Mrs. Bates dummy. In this period, you have to go back to what’s inside you, something in you that you have to address when you’re alone. We all need that, we all miss that totally. We persevered. We tried. Filmmaker: Were you happy with the online, virtual Camerimage? Because you’re so fragile. My Private Idaho – Das Ende der Unschuld ist ein Roadmovie aus dem Jahr 1991. Filmmaker: You didn’t know the choreography of the ballet before you shot? How can people shoot golf tournaments? Doyle: I didn’t know Italians were so — I thought they were emotional, pasta-eating mothers’ boys. Filmmaker: How would you describe the Gucci project? Although this version is in color, features a different cast, and is set in 1998, it is closer to a shot-for-shot remake than most remakes, often copying Hitchcock's camera movements and editing, and Joseph Stefano's script is mostly carried over. It’s a heavy color, plus it will impact your skin tones. Marion resolves to return to Phoenix to return the money. I don’t even like films — I’d rather read a book. Bernard Herrmann's musical score is reused as well, though with a new arrangement by Danny Elfman and Steve Bartek, recorded in stereo. But Sam, having regained consciousness, subdues Norman with Lila's help. And then the working space was so well separated, it was more than two meters away from the next person, it was more like 20 meters. Fake blood was used instead of chocolate syrup. Doyle: I’m a recovering Catholic. Arbogast enters Norman's house and, at the top of the stairs, is attacked and murdered by the Mother figure. The freedom of film, this is what many people don’t recognize. That’s why I work with first-time directors, because they ask these stupid questions. Filmmaker: What do you think Gucci was expecting? I just say yes, yes, no, no. Later, finding the corpse, Norman is horrified. We only have one sentence to say, and we’re always looking for it. That three-act concept is too Christian. Lila sees him and hides in the cellar where she discovers the mummified body of Norman's mother. What makes you see things the way you see them? The audio commentary track that accompanies the DVD release of the film, and the making-of documentary (Psycho Path) that the DVD includes, provide numerous details about where the film strove to remain faithful to the original, and where it diverged. Many of the songs were recorded specifically for the soundtrack, and included a sampling of Bernard Herrmann's score composed by Danny Elfman. They were extremely vigilant. "[9] [17], On February 24, 2014, a mashup of Alfred Hitchcock and Gus Van Sant's versions of Psycho appeared on Steven Soderbergh's Extension 765 website. It’s my own beer. It represents happiness, or fruition. Retitled Psychos and featuring no explanatory text, the recut appears to be a fan edit of the two films by Soderbergh. The soundtrack also includes the track "Living Dead Girl" by Rob Zombie, which can be heard during the film when Marion trades in her old car for a new one. When Norman regains consciousness, he believes that his mother has committed the crime and covers up for her. It received three Golden Raspberry nominations and won in the categories of Worst Remake and Worst Director. While Sam distracts Norman, Lila sneaks into the house to search for his mother. [citation needed]. Sponsored by Gucci, the series marks the latest collaboration between director Gus van Sant and cinematographer Christopher Doyle, HKSC, following the features Paranoid Park and Psycho. Filmmaker: I didn’t mind looking at shoes. Doyle: I’ve been to Camerimage 20 times now. ... central to Gus Van … Chris Doyle: Do you realize this is the crowning achievement of my life? First of all they move, hopefully they’re also moving, emotionally or viscerally or visually. Actually I think it’s one of the best things I’ve done. There’s a school that says we create from a sense of inadequacy, a dissatisfaction that turns into a motive or impetus to try to say something. We have to give ideas the images they deserve. "[10] Eugene Novikov for Film Blather is in the minority of those who admired it, stating: "To my absolute astonishment, I enjoyed the remake more than the original. [3], The film earned $37,141,130 in the worldwide box office, $21,456,130 domestically. The cinematography and the cinematic techniques were consistent between the two films in many of the most memorable scenes, including the shower scene, scenes of the mother, scenes of the swamp, and the scene of Arbogast on the staircase, but other scenes changed significantly, particularly the climax, and the Dr. Simon monologue at the end, which was much shorter in the remake. Doyle: I don’t want to praise myself, but I really like the dance sequence. Filmmaker: One episode takes place largely in a vintage clothing store with deep red walls. Sam is contacted by both Marion's sister, Lila, and private detective Milton Arbogast, who has been hired by Marion's employer to find her and recover the money. After Norman's arrest, forensic psychiatrist Dr. Simon Richmond tells Sam and Lila that Norman's dead mother is living in Norman's psyche as an alternate personality. Every Sunday I could walk the whole of Rome for four or five hours with no hassle, no people. The rock star that I am, I need an audience. (Overture is co-directed by Van Sant and Gucci creative director … “I drink therefore I am.” It’s an IPA. Their attitude to the virus, to our predicament, was very Gucci. Tout comme "Elephant" – avec qui il forme une tétralogie sur la jeunesse désœuvrée aux côtés de "Gerry" et "Last Days" – "Paranoïd Park" de Gus Van Sant s’ouvre sur la géographie crépusculaire de Portland. Wherever you come from, whether you’re Jewish or Muslim or in my case Catholic, I think faith is a very strong base. You have to give so much. In terms of the physicality, I’ve always believed that the camera has to dance with the actors. Every two days they would test us. If you don’t have a life, what do you have to say? It also shows the buttocks of the Marion character when she dies, an aspect cut from the original film. Doyle: Don’t talk to me about red walls, I hate red walls. Once the camera is close to people, and we’re moving in an unexpected way, I don’t know what is going to happen. They employ me, so they can sack me tomorrow. It was a pain in the you know what. How do they follow that little ball? After the death of Norman's father, his mother found a lover. [2] The film's production budget was an estimated $60 million;[2] while promoting his 2002 film Gerry, Van Sant said he thought the producers "broke even" financially. Not just me, 200 people at least. Director Gus Van Sant, emulating Hitchcock's practice of making cameo appearances in his films, appears as "Man talking to man in cowboy hat" at the same point in his film when Hitchcock made his appearance in the original. He invites Marion to have supper with him. According to the DVD commentary track that featured Van Sant, Vaughn, and Heche, Van Sant's character is being scolded by Hitchcock in the scene. Something in you that you don’t know unless others let you see it. “I’m going to go to Nicolo, I’m not going over there to Michelle.”. I mean look at actors. Screenwriter Joseph Stefano, who wrote the original script, thought that although she spoke the same lines, Anne Heche portrays Marion Crane as an entirely different character. Marion's car is shown being recovered from the swamp and is followed by the ending credits. A highway patrol trooper awakens her and, suspicious of her agitated state, begins to follow her. Before the pandemic struck he shot Japanese actor Joe Odagiri’s feature directing debut, They Say Nothing Remains the Same, and Love After Love, a feature directed by Hong Kong’s Ann Hui that screened at Venice. Doyle: I think they spent more money on the protocols than they did on the film. Both films are adapted from Robert Bloch's 1959 novel of the same name. It’s more: I see this space, you have an idea. I believe film is about people in space. Em 1991, Oliver Stone cogitou produzir, mas não dirigir, um filme sobre a vida de It’s ten percent of what it should be, we know it, they all know it. ", Film critic Roger Ebert, who gave the film one-and-a-half stars, noted that the addition of a masturbation scene was "appropriate, because this new Psycho evokes the real thing in an attempt to re-create remembered passion." How you learn to have faith in yourself is the question, the great journey actually — to realize there’s something in you that’s true. The film's soundtrack, Psycho: Music from and Inspired by the Motion Picture, included Danny Elfman's re-recordings of some of Bernard Herrmann's score for the original film, along with a collection of songs in genres from country to drum and bass, connected mainly by titles containing "psycho" or other death or insanity-related words. If you haven’t lived, just because you’ve seen all of my films it’s not going to make you a filmmaker. Regie führte Gus Van Sant, die Hauptdarsteller sind Keanu Reeves und River Phoenix.Der Film gilt neben anderen als Auslöser für das New Queer Cinema. In all the Chinese films we made, red is a real choice, because it has such cultural significance. What are we doing in this place so red? "[3], Despite the film's overall negative reception, it did receive a blessing from Alfred Hitchcock's daughter, Pat Hitchcock who stated that her father would have been flattered by the remake of his original work. [16] One favorable take on the film came from an LA Weekly retrospective article published in 2013, in which writer Vern stated that the film was misunderstood as a commercially motivated film when it was in fact an "experiment" and this was the reason for the poor reception. These stupid questions I am, I ca n't recommend it enough the episode supposed! 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