Ended: Mar 28, 2021. Then along came Bottin's mentor, Rick Baker, with his own spectacular effects in this popular horror comedy directed by John Landis. Richard A. Baker (born December 8, 1950) is a retired American special make-up effects creator and actor, mostly known for his creature effects and designs. Ended: Feb 21, 2021. 0 bids. This information is shared with social media, sponsorship, analytics, and other vendors or service providers. Metamorphosis is a new two-volume book that chronicles his work. Paint was only applied to the repaired areas and colors were carefully blended to match the original, aged paint. Trick or Treat Studios and Universal Studios are proud to present the Nightmare Demon Warmonger from the John Landis classic film, An American Werewolf In London. You can adjust your cookie choices in those tools at any time. email: info@tomspinadesigns.com Award-winning make-up artist Rick Baker is to be honoured with the 2,485th star on the Hollywood Walk of Fame at the end of the month (Nov12).It'll be a … OOAK Rick Baker An American Werewolf In London Nightmare Demon Bust Statue-NR! I considered it a natural part of my education. When I was in college, rather than saving my money for practical things like groceries or bills, what little I was able to scrimp and save went directly to horror DVDs. Now retired, Baker's work has been collected in the two-volume collection Metamorphosis. They have two children. Several large areas that had once been covered in fur were rebuilt and painted so that hair (which was “borrowed” from other areas of the wolf) could be carefully applied and blended into the original hair work. NPR’s sites use cookies, similar tracking and storage technologies, and information about the device you use to access our sites (together, “cookies”) to enhance your viewing, listening and user experience, personalize content, personalize messages from NPR’s sponsors, provide social media features, and analyze NPR’s traffic. Rick Baker sculpts a puppet head for the 1981 film An American Werewolf in London. People Rick Baker, Griffin Dunne OOAK Rick Baker An American Werewolf In London Nightmare Demon Bust Statue-NR! As of 2008 “Oscar” (a name given to the wolf by Bob, to acknowledge Rick Baker’s win of the first ever Best Makeup Oscar for his work on the film) was a nearly 30 year old foam latex movie prop, and as too often happens, age and handling had taken their toll. Condition: Used. phone: 631 321 1502. For that work, Baker received the first-ever Academy Award for Best Makeup (it would prove to be the first of many for the talented young effects artist). Pre-Owned. Brand New. “I am extremely honored to have been asked to work on this piece and proud of what was achieved in a relatively short time. 85 of 87 found this interesting When we arrived, “Oscar’s” condition was poor. Details about OOAK Rick Baker An American Werewolf In London Nightmare Demon Bust Statue-NR! Bob expressed a great deal of joy with the result, and that means quite a lot to me. His previous directorial efforts — 1977's Kentucky Fried Movie, 1978's Animal House and 1980's The Blues Brothers — found him the sort of comedy street cred most filmmakers can only dream of. While he stayed true to his comedy roots with the 1981 werewolf-themed movie, Landis branched out … Details about OOAK Rick Baker An American Werewolf In London Nightmare Demon Bust Statue-NR! See details. Throughout the process, efforts were made keep the piece as original as possible and, most importantly, to make all of the areas that were repaired visually consistent with the age of the prop. See original listing. An American Werewolf in London (1981) 158 of 202 Rick Baker and Griffin Dunne in An American Werewolf in London (1981). An American Werewolf in London. By the time An American Werewolf in London hit theaters, John Landis was a household name. Be sure to check out the DVD special features for more on this and all of the incredible props produced by … The foam was dry and brittle. Ironically, Baker was supposed to be in charge of The Howling‘s makeup effects but ended up working for John Landis’ An American Werewolf in London instead. More information Before and after with the original wolf used in An American Werewolf in London and our old friend Bob Burns! We were very honored to be asked to restore the original Rick Baker American Werewolf prop/costume. 'An American Werewolf in London' (1981) / Universal Pictures. In 1973, Rob Bottin did what any 14-year-old boy with dreams of monster-making would’ve done – he wrote a letter to his idol, special effects (SFX) artist Rick Baker, lauding him as a master of the craft and modestly requesting an autograph. Condition: Used. $199.99. Sculpted by Mario Torres. Monster-maker Rick Baker has won seven Academy Awards for his work in films like An American Werewolf in London and Men in Black. Do you have an original movie or television prop that is in need of restoration or display? Created by Rick Baker and his team of special effects artists, the life sized wolf seen in An American Werewolf in London was realized as part costume, part puppet and part wheelbarrow! An American Werewolf in London is a 1981 horror black comedy film written and directed by John Landis.An international co-production of the United Kingdom and the United States, the film stars David Naughton, Jenny Agutter, Griffin Dunne and John Woodvine.The film's plot follows two American backpackers, David and Jack, who are attacked by a werewolf while traveling in England, causing … Details. Rick Baker, Make Up Department: Planet of the Apes. Makeup Artist Rick Baker on An American Werewolf in London, the legendary make-up artist, discusses his work on the film; I Walked with a Werewolf, an archival interview with the make-up … $2,300.00. Trick or Treat Studios and Universal Studios are proud to present the Nightmare Demon Werewolf from John Landis classic film, An American Werewolf In London. People Rick Baker John Landis's An American Werewolf in London is a horror-comedy classic that carefully tiptoes the tightrope between the two genres, delivering the laughs and the scares in equal measure. If you click “Agree and Continue” below, you acknowledge that your cookie choices in those tools will be respected and that you otherwise agree to the use of cookies on NPR’s sites. Why not download and watch the movie right now? As of 2008 “Oscar” (a name given to the wolf by Bob, to acknowledge Rick Baker’s win of the first ever Best Makeup Oscar for his work on the film) was a nearly 30 year old foam latex movie prop, and as too often happens, age and handling had taken their toll. Bottin did a great job here, who would go on handling impressive makeup effects in memorable movies like The Thing (1982), RoboCop (1987) and Total Recall (1990). Picture 10/10. Arrow Video presents a brand-new Blu-ray special edition for John Landis’ An American Werewolf in London, presented in its original aspect ratio of 1.85:1 on this dual-layer disc.Though Universal had done a new restoration not all that long ago, Arrow has performed their own 4K restoration for this release, sourced from the 35mm original camera negative. Taken from JRE #1377 w/Rick Baker: https://youtu.be/cRUy8E6ueeo You may click on “Your Choices” below to learn about and use cookie management tools to limit use of cookies when you visit NPR’s sites. $259.99. People Rick Baker, David Naughton Rick Baker and John Landis had several disagreements over what the design of the werewolf should be. Watch; Jack Lifesize Bust An American Werewolf in London Figure prop. Kelly, for his assistance & photography, and of course, to Rick Baker for igniting the imaginations of artists & filmgoers everywhere with his brilliant work! An American Werewolf in London: how John Landis and Rick Baker transformed horror. Extremely fragile areas were strengthened and pieces were painstakingly affixed in place, much like assembling a puzzle. 0. OOAK Rick Baker An American Werewolf In London Nightmare Demon Bust Statue-NR! John Ciarlone for years of friendship and for playing host during my stay. Baker won the Academy Award for Best Makeup a record seven times from a record eleven nominations, beginning when he won the inaugural award for the 1981 film An American Werewolf in London. An American Werewolf in London (1981) 159 of 204 Rick Baker and David Naughton in An American Werewolf in London (1981). Time left 1h 20m left. J ohn Landis had the basic idea for An American Werewolf in London … To further complicate things, some of the areas in need were covered in hand-punched fur. See original listing. In hope of preserving this important movie artifact, Bob, contacted his friend Tom to discuss “Oscar’s” condition and a possible restoration of the Rick Baker American Werewolf. May 24, 2019. Was cast as the lead singer/dancer in the "Be A Pepper" Ad campaign for Dr. Pepper. We’d like to express very special thanks to: Bob and Kathy Burns for their hospitality during the work. From Spain. Based on one of the most horrific scene in cinemas history, the Werewolf appears when … An American Werewolf in London (1981) 160 of 202 Rick Baker in An American Werewolf in London (1981). We were very honored to be asked to restore the original Rick Baker American Werewolf prop/costume. Be sure to check out the DVD special features for more on this and all of the incredible props produced by Baker’s crew. Large sections of the wolf prop’s foam latex cheeks, lips and eyelids had crumbled to dust and other pieces hung on by a thread. Been a while since you watched this groundbreaking werewolf flick? Rick Baker was born on December 8, 1950 in Binghamton, New York, USA as Richard Alan Baker. Created by Rick Baker and his team of special effects artists, the life sized wolf seen in An American Werewolf in London was realized as part costume, part puppet and part wheelbarrow! or … Eventually, Baker presented the original foam latex prop wolf to his long-time friend, collector Bob Burns, who proudly displayed the piece alongside his other historic sci-fi and horror movie props and costumes. Due to the size and fragile nature of the prop, it was determined that an on-site restoration would be the best approach. He has been married to Silvia Abascal since November 8, 1987. Baker wanted it to be a two-legged werewolf saying he thought of werewolves as being bipedal. Buy It Now +$15.20 shipping. A record-holding winner of seven Academy Awards for Makeup out of eleven nominations, Rick Baker is a lifelong “monster kid” who won the first competitive Oscar awarded in that category for his innovative work on An American Werewolf in London (1981), one of several collaborations with director John Landis. Cracks were filled and blended where possible and the remaining gaps and missing details were then rebuilt and sculpted to match the surrounding textures. I had been slowly building a list of recom… For years, I probably would’ve called the Rick Baker American Werewolf “David” but after the long days of work, listening to Bob tell stories about about “Old Oscar”, he will now forever be “Oscar” in my mind and in my heart!”. Mar 24, 2013 - Restoring the original Rick Baker American Werewolf life sized prop for our friends Bob & Kathy Burns, preserving Hollywood horror (academy award) history! American Werewolf in London Jack Puppet Movie Prop Restoration. He is known for his work on Planet of the Apes (2001), Men in Black (1997) and The Wolfman (2010). Landis wanted a "four-legged hound from hell", the werewolves in the Howling (1981) were depicted as bipedal. Although I had seen some horror here and there in my youth, I was dramatically behind the curve in what was fast becoming my favorite genre and that was something that could not stand. Email or call today and let’s discuss your project! David Naughton made his professional debut in the New York Shakespeare Festival's production of "Hamlet" in Lincoln Center starring Sam Waterston. The goal was not a result that looks “brand new” (the way a replica head might) but a piece of movie history brought gently back to life… something that now looks “great for its age” while maintaining the integrity of the original work and preserving the “feel” of the character. The design of the Werewolf should be things, some of the prop, it was that... 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