THE VIRGIN AND CHILD. Find more prominent pieces of religious painting at Wikiart.org – best visual art database. Within her embrace, the Christ child playfully leans back to crown his mother with a garland of roses, which she lowers her head to receive. Now largely stripped of color, Virgin and Child was once vibrantly painted. Artworks of the Christ Child and his mother Mary are part of the Roman Catholic tradition in many parts of the world including Italy, Spain, Portugal, France, South America and the Philippines. We are not sure whether the painting was once part of a triptych (a painting made up of three sections) or stood alone. Virgin & Child Surrounded by Angels. The elaborate frame around the image may reference the artwork that inspired the Book of Kells’ artists. She rests her right hand on the Child's right shoulder, and her left, which holds a handkerchief, on the Child's left knee. The Christ child is seated on her lap with his hand placed on the virgin’s clearly visible breast, an allusion to Mary as mother of God and perhaps also to the milk of Christian instruction. A strikingly modern looking work of Christian art, it is regarded as one of the Greatest Paintings Ever. Find more prominent pieces of religious painting at Wikiart.org – best visual art database. The Madonna and Child or The Virgin and Child is often the name of a work of art which shows the Virgin Mary and the Child Jesus.The word Madonna means "My Lady" in Italian. Though Virgin and Child was originally a full-length statue, only the upper half now survives. The Melun Diptych (1450-55) Contents • Description • Interpretation/Meaning of Melun Diptych • Further Resources. Description This unit focuses on images, mostly paintings, of the Virgin and Child. By Jean Fouquet. In the mosaic, Christ has a fair complexion. It considers the early history of these images, beginning with icons that came to Italy from the Byzantine East, and examines those created in Venice and Florence through the early decades … Virgin and Child Origin Italy Date 1490–1496 Medium Tempera or oil on panel Dimensions 52 × 35 cm (20 1/2 × 13 3/4 in.) Credit Line Charles H. and Mary F. S. … Wearing the turban favored by peasant women in Bologna, Mary gazes adoringly at the plump baby wriggling on her lap. Because the figures' heads are angled downward, scholars believe that Riccio made the sculpture as the devotional centerpiece of a raised altar. Celebrated for his powers of invention, range of expression, and technical prowess, Donatello was the preeminent Italian sculptor of the fifteenth century. In the mosaic Mary is enthroned and she puts her right hand on shoulder of the Child Christ who is seated in her lap. Virgin and Child has not been widely accepted as a work of Napolitano, however, the present artist was certainly a member of Leonardo's circle. Elisabetta Sirani’s Virgin and Child portrays Mary not as a remote Queen of Heaven but as a very real, young mother. The Virgin Mary, bareheaded and richly dressed, holds the naked Christ Child, who rests on a white cushion on a ledge. Her left hand holds a handkerchief, which is on Christ’s knee. The Virgin who occupies the center of the apse semi-dome is represented enthroned with the Child seated in her lap. ‘Virgin and Child’ was created in 1495 by Andrea Mantegna in High Renaissance style. ‘Virgin and Child’ was created in 1888 by William-Adolphe Bouguereau in Neoclassicism style. The Sforzesco Castle, the seat of Milan's ruling Sforza family, appears in the background. The Virgin and Child mosaic is located in the apse semi dome. That Riccio made the sculpture as the devotional centerpiece of a raised altar rests on a cushion! 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